Oslo: The Opera House architect competition; design & expertise

Harry Collins and Robert Evans have in their book “Rethinking Expertise” (2007) made an attempt to categorise differend types of knowledge. The periodic table of expertise that they have created is based on the idea of tacit knowledge, and names and places the different kinds of expertise. The term `tacit knowledge’ was used my Michael Polanyi to refer to those things we can do without being able to explain how. Individuals acquire expertise through being members of expert groups. It takes much time and effort to socialize into these groups. A large part of the knowledge acquired can not be explained formally. It is knowledge that is embedded in language and society. Tacit knowledge is an important part of all kind of expertises. Collins and Evans argue for a realist theory of expertise independent of the social attribution of expertise. They are critisizing the STS approach of describing the social attribution of knowledge without taking a stand (the importance of symmetry in STS). One should be able to assess who has knowledge and who not. They call it “The third way”. Still they acknowledge that the boundaries of knowledge can be difficult to draw in a strict way in real life. It is a first attempt to categorize different kinds of knowledge. A broad definition of expertise could be “to know what you are talking about”, there is no difference between knowledge and expertise. Expertise is in culture and in practice, and is found more in practice than in books. It is about doing, performing and talking. (H. Collins, R. Evans, 2007)

Interactional Expertise is fluency in the technical language associated with a specialism. The ability to expertly converse about expertise without being able to practice it. It is learned through linguistic socialisation and achieved by spending enough time with practitioners. Interactional expertise is an expertise between informal and formal knowledge – between books and practice.

To have Contributory Expertise is to know enough to contribute to the development of a specific expertise. A deep understanding. It is the “real” knowledge, the practice. (H. Collins, R. Evans, 2007)

(MH, 2010)

Could it be argued that in the design of the open international competition for architects for a design of the Norwegian Opera House (1999), there was imbedded a demand for an expertise which was suited to produce a Nordic if not even a Norwegian winner?

All of the architects participating in the competition posessed approximately the same contributory expertise as the competition only was open to architects with an approved examination under the EU’s architect directive. This means that Norwegian participants had to be civil architects or members of NAL. Foreign participants inside the EEA area had to document that they have qualifications equivalent to the European Union’s Directive. Other foreign participants had to document equivalent qualifications. However, the tacit knowledge achieved through the embedment in the Nordic/Norwegian culture of strong social democratic values, as well as interactional expertise towards the involved actors put Snøhetta in a special position probably along with the other Norwegian contributors to the competition.

It could seem that the international approach towards the competition was to a large extent encouraged and forced by the EEA  Agreement and NAL. The strong focus on the Norwegian language in the jury and also the missing internationality of the jury members, gives Snøhetta and other Norwegian/Nordic architects the advantage of tacit knowledge within the Nordic culture. It gives them an expertise which communicates with the expertise of the jury members. Snøhetta and the other Norwegian contributors were in addition closely connected to NAL through the membership of employed architects. Snøhetta posessed additional interactional expertise achieved through the collaboration with Statsbygg on the exposition “Ny opera i Bjørvika”.



Høvikodden
February 13, 2010, 01:18
Filed under: Excursions, Photo | Tags: ,



Anna-Eva Bergman
February 12, 2010, 00:21
Filed under: Art | Tags: ,

I have discovered an artist I had not heard of before. Anna-Eva Bergman. I find her compositions very interesting. The contruction and philigran lines, the metallic surfaces embedded appeal to me.

Anna-Eva Bergman (1909 – 1987). Married to the painter Hans Hartung and frequenting the same circles as Picasso and Braque, she was better known abroad than in Norway. For the first time Anna-Eva Bergman’s unknown surrealist works are presented together  in a major exhibition at the Henie-Onstad senter in Oslo.



To friendship
January 6, 2010, 16:09
Filed under: Events | Tags:



My stage debut with Erased & Replaced at BLÅ
December 10, 2009, 23:50
Filed under: Events, Music, Photo | Tags: , ,

So much fun! And so many friends who showed up to cheer, thank you!

Set list:

Too drunk to fuck (The Nouvelle Vague version)

I´m only happy when it rains (Garbage)

Deceptacon (Le Tigre)

AKKS is a non-profit music organization that works to recruit, motivate and promote women in all levels of the music industry. AKKS is offering various instrument courses as well as band training and courses in sound and lighting, Cubase, DJ, jazz and songwriting. www.akks.no



Grannies at the flea market
October 25, 2009, 23:11
Filed under: Encounters | Tags: ,

What are old people doing at the flea markets? Really… don´t the have enough stuff already? What could they possibly need at a flea market? As if it wasn´t crowded enough. I went to two of them this weekend, and I was constantly finding myself behind people with walkers. This may sound harsh, but please, grannies, go somewhere else for your sunday strolls!

IMG_3315



Inspired by Jazz, D´Angelo and the Piano
September 5, 2009, 21:17
Filed under: Music | Tags: , ,

This summer I went to a lot of jazz concerts at Victoria Nasjonal Jazzscene. For two weeks the students at the Norwegian Academy of Music performed their exams for free! I was extremely impressed by some of the performances. Especially Eyolf Dale on the piano, Hanne Kallebergs vocal and Ingrid Støylen Runde with her own band (Where can i buy the record?!). Julie Lillehaug did a great funky version of D´Angelo´s Spanish Joint! I felt inspired. This month I signed up for piano lessons at AKKS, after feeling quite guilty for a long time having a pretty grumpy piano in my living room… Time will tell if five years of lessons during my childhood are still paying off. Anyway, peeking in on the concert program at the Norwegian Academy of Music (Norges Musikkhøgskole) is a great tip for free concerts of all genre: Concert Program NMH

AND: Marie is now on YouTube! Yey! (It turns out I can´t upload videos directly into my WordPress blog without upgrading and paying a monthly fee.) I put together some photos from my trip to France together with D´Angelos Spanish Joint, which I have listened to a lot recently. There is something about the beat that gets me in a good mood.

I stumbled upon the text at the end of the clip somewhere online, and unfortunately I don´t know who has written it. It is a nice reminder I think.

“Experience. Dream. Risk. Close your eyes and jump. Enjoy the free fall. Choose exhilaration over comfort. Choose magic over predictability. Choose potential over safety. Wake up to the magic of everyday life. Make friends with your intuition. Trust your gut. Discover the beauty of uncertainty. Know yourself fully before you make promises to another. Make millions of mistakes so that you will know how to choose what you really need. Know when to hold on, and when to let go. Love hard and often, and without reservation. Seek knowledge. Open yourself to possibility. Keep your heart open, your head high, and your spirit free. Embrace your darkness along with your light. Be wrong every once in a while, and don’t be afraid to admit it. Awaken to the brilliance in ordinary moments. Tell the truth about yourself no matter what the cost. Own your reality without apology. See goodness in the world. Be bold. Be fierce. Be grateful. Be wild, crazy, and gloriously free. Be you.”




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